Through The Void Records released warner case’s take on Mouth Water’s ‘Rise’ on September 12, giving the indie dance track a fresh spin. Mouth Water, the Italo-American producer splitting time between the US and Florence, mixes house beats with retro electro-pop elements, drawing acclaim for its refined feel and heartfelt layers from spots like MusicTech and SPIN. He’s hit stages with acts like Röyksopp and Sophie and the Giants, including a slot at Primavera Sound 2024, where his sets fuse live instruments like clarinet and bass with digital sounds and visuals for a seamless hybrid feel.
warner case, a New York native, producer, DJ, and singer, has built a rep in electronic circles with engaging shows and tracks that pull in big streams, blending smooth rhythms and magnetic atmospheres that align perfectly with Mouth Water’s emotive style. This drop also spotlights the new indie label founded by Lawrence Fancelli (Mouth Water) and run by Alessandra Pellegrineschi, which treats releases like curated art pieces tying Italian flair to the global electronic market.
The remix shifts ‘Rise’ from its core as a personal nod to faded and revived bonds into a groove-heavy indie dance cut. warner case layers in polished beats, after-dark atmospheres, and a steady thump that amps up the original’s rising tunes and close-knit words, merging indie-pop’s evocation with a beat that hits hard on the floor. It keeps the track’s optimistic vibe intact while pushing it toward a lively, dance-oriented edge. It could also very easily serve as the OST to POP culture phenoms like Euphoria as the sonic textures of this remix fit the aesthetic to a tee.
Mouth Water shared: “I wrote this song thinking about the friends I shared so much with in the past who are no longer part of my daily life. It’s an open letter, a gesture of hope, because sometimes, even after long silences, we can come back together and create something meaningful again.”
warner case adds: “Making this remix brought me back to late 2000s blog haus, indie sleaze, and all the raw brilliance of that era. Dance music was grassroots and hungry, and a college kid with a blog could shape public opinion. It was a nascent, exciting time, and hopefully my remix does it justice.”
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