Few artists in the electronic music scene have managed to capture the essence of retro-futurism as seamlessly as TOKYO ROSE. As one of the pioneers of the Synthwave genre, the US-based musician has spent years refining a signature sound that blends the neon-lit nostalgia of the ‘80s and ‘90s with the polished, cinematic production of modern electronic music.
In this exclusive interview, TOKYO ROSE shares insights into the creative process, the influence of Harold Faltermeyer’s iconic film scores, and the dream of collaborating with The Weeknd on an electrifying, late-night city-drive anthem. Plus, we get a glimpse into what’s next, a return to the outrun-style energy that first defined their sound.
Listen to ‘PAYBACK’ by TOKYO ROSE while reading this interview
Describe a pivotal music moment for you in your favourite film, television show, brand partnership etc. Has this influenced any of your own compositions?
The soundtrack produced by Harold Faltermeyer in the movie Fletch really made me interested in mimicking music like that. The blend of electronic and cinematic elements left a lasting impression on my style and approach to synth-driven compositions.
What first drew you to making Synthwave/Synthpop
I was inspired by artists like Kavinsky, Miami Nights 1984, and FM Attack. Their ability to create nostalgic yet modern sounds fascinated me and pushed me toward producing my own synthwave music.
What does your current software/hardware setup currently consist of?
My setup is very basic—just a MIDI keyboard and FL Studio. Despite its simplicity, it allows me to craft the sounds and melodies that define my music.
Who are your biggest influences, both inside and outside of the genre?
Inside the genre, Power Glove has always been a major influence. Outside the genre, the list is infinite—I listen to all genres of music, and there’s usually something from each one that sparks an idea I want to incorporate into my production.
Outside of music, what art forms or experiences inspire you the most? Are you pulling from sci-fi films, old video games, cityscapes at night?
Video games and films from the ’80s and ’90s have been a huge source of inspiration for me. The aesthetics, sound design, and overall atmosphere of that era play a big role in shaping my music.
When you sit down to create, what’s the first thing that sparks the process? A melody? A feeling? A memory?
Usually, I’ll have an idea in mind, but a lot of times, a certain sound I’m playing with will inspire a melody that pretty much gives me all the fuel needed to complete a track.
Do you have any personal rituals or habits when writing or producing; things that get you in the right headspace? (e.g., late-night drives, dim lighting, a specific synth always within reach)
None that come to mind—I usually just dive right in and let the creativity flow naturally.
Please suggest an album for us to listen to.
I’ve really been listening to The Weeknd’s new album Hurry Up Tomorrow. The production is top-tier, and there’s a heavy synthwave vibe to it.
Looking ahead, what’s next? A new album? A shift in sound? Something totally unexpected?
I’m currently working on a few EPs and focusing on my older style—going back to my roots and bringing that outrun-style energy back into my production.
If you could collaborate with anyone, from any era or genre, who would it be and what would that track sound like?
The Weeknd, hands down. His vocals over my outrun production would be insane—dark, cinematic, and straight-up electrifying. It’d have that late-night city drive feel, something you blast while speeding down the highway. Definitely a dream collab and an instant banger.
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